For over five centuries the Sistine Chapel ceiling has been among the greatest things man has produced. I would give two limbs for a magnum opus of its caliber.
In contrast, the first time I saw a Rothko in my early teens, I concluded that this was the outcome of giving a child with severe OCD a set of crayons.
Over the last few weeks, amidst a very tough and frustrating period (this is far too complex for this one post) in my life, I had a chance to reflect on one of Rothko’s signature pieces and study the underlying process through a MOMA video . I felt a new sense of respect for Rothko’s works. A Rothko is quite literally a metaphor for life. Our visible exterior is the product of several layers that comprise our experiences.
Rothko had a famous quote:
The people who weep before my pictures are having the same religious experience I had when I painted them.
It took eight years for me to have this experience. I am better off for it.
 The Painting Techniques of Mark Rothko: No. 16 (Red, Brown, and Black)