The Rothko

No. 14 at SF Moma

For over five centuries the Sistine Chapel ceiling has been among the greatest things man has produced. I would give two limbs for a magnum opus of its caliber.

In contrast, the first time I saw a Rothko in my early teens, I concluded that this was the outcome of giving a child with severe OCD a set of crayons.

Over the last few weeks, amidst a very tough and frustrating period (this is far too complex for this one post) in my life, I had a chance to reflect on one of Rothko’s signature pieces and study the underlying process through a MOMA video [1]. I felt a new sense of respect for Rothko’s works. A Rothko is quite literally a metaphor for life. Our visible exterior is the product of several layers that comprise our experiences.

Rothko had a famous quote:

The people who weep before my pictures are having the same religious experience I had when I painted them.

It took eight years for me to have this experience. I am better off for it.

[1] The Painting Techniques of Mark Rothko: No. 16 (Red, Brown, and Black)


Disco Rectangles

I was playing with quil recently (got a project planned which I will speak about later) and managed to throw this together in a short while:

Clojure source available here.



Per Intellectum, Vis
(c) Shriphani Palakodety 2013-2016